Manhae Han Youn-un (independence activist, monk, poet)
Description of the energy picture:
1. The spiritual center turned out to be a gold symbol of light. It looks like pure light.
2. Green energy is diffused from the spiritual center. Self-control energy.
3. Pink energy: Connected from the left thumb to the right thumb. Unusual, it goes up in a spiritual dimension. His talent is on a higher dimension. the energy of love
4. Body: The surrounding yellow and blue energy field. Unusually, there is an energy field that extends to the spiritual dimension. This energy is generally below the spiritual dimension. His reality is the energy of sacrifice that works on a higher level.
5. The purple antenna: It stretched out from his spiritual center. He is receiving information on a spiritual level, but is controlling himself.
6. Navel: Purple energy is spreading out. It is the power to control oneself.
7. The area below the center: There is no material foundation that can be revealed in detail. There is only an antenna that reads and looks at the world.
Email : omsacredart@gmail.com
Manhae's poetry dealt with both nationalism and sexual love, often mingling the two. One of his more political collections was
Nimui Chimmuk (Lover's Silence, 님의 침묵), published in 1926. These works revolve around the ideas of equality and freedom and helped inspire the tendencies toward passive resistance and non-violence in the
Korean independence movement.
In 1913, Han Yongun published "The Restoration of Korean Buddhism (
Joseonbulgyo-yusimlon), which criticized the anachronistic isolationist policy of Joseon Buddhism and its incongruence with the then contemporary reality. The work sent tremors through the intellectual world. In this work, the author promulgated the principle of equality, self-discovery, the potential for Buddhism for safeguarding the world, and progress. His development as an activist and thinker resulted from his adherence to these very principles.
[5]
In 1918, Han published "Whole Mind" (
Yusim), a work that aimed to enlighten young people. In the following year, he played an important role in the
3.1 Independence movement with Chae Lin, for which he was later imprisoned and served a three-year sentence. During his imprisonment, Han composed "Reasons for Korean Independence" (
Joseondoglib-i-yuseo) as a response to the official investigation into his political engagement. He was later acquitted in 1922, at which time he began a nationwide lecture tour. The purpose of the tour was to engage and inspire youth, an objective first established in Han's "Whole Mind". In 1924, he became the Chair of the Buddhist youth assembly.
The poems published in Han's
Nim-ui Chimmuk had been written at Baekdam Temple in the previous year. This book garnered much attention from literary critics and intellectuals at the time. Despite his many other publications, from Chinese poems to
sijos and the poems included in
Yusim, and novels such as Dark Wind (
Heukpung), Regret (
Huhoe), Misfortune (
Bakmyeong), this collection remains the poet's most significant and enduring literary achievement.
[5] In it, love for the motherland plainly appears under the guise of longing for the loved one, as in the poem "I Do Not Know".
- Whose footstep is that paulownia leaf that falls silently in the windless air, drawing a perpendicular?
- Whose face is that piece of blue sky peeping through the black clouds, chased by the west wind after a dreary rain?
- Whose breath is that unnameable fragrance, born amid the green moss in the flowerless deep forest and trailing over the ancient tower?
- Whose song is that winding stream gushing from an unknown source and breaking against the rocks?
- Whose poem is that twilight that adorns the falling day, treading over the boundless sea with lotus feet and caressing the vast sky with jade hands?
- The ember becomes oil again.
- Ah, for whose night does this feeble lantern keep vigil, the unquenchable flame in my heart?[6]
Han's model for such rhapsodic, long-lined expressions of devotion was
Rabindranath Tagore, whose work he knew, and behind Tagore the long Indian tradition of combining mysticism with eroticism.
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Link : Wikipedia
